From Rankin and
Bass, the people behind such terrific Christmas specials such as Rudolph the Red-Nosed Reindeer
and Santa Claus is
Coming to Town, came
this cute stop-motion feature starring most of the
greatest movie monsters of all time, invited to the island headquarters
of a retiring Doctor Frankenstein (modeled after Boris Karloff and
voiced by the Master himself).
MAD MONSTER PARTY? may now be of more interest to children than to adults, but anybody who grew to love this film as a kid when they saw it broadcast on television years ago can still enjoy it, as can any fan of the Universal studios monsters or stop-motion animation itself. It's also a must see for people who love THE NIGHTMARE BEFORE CHRISTMAS, just to see how Tim Burton must have been influenced by this film. If you think the creatures (and the humor) have a Mad Magazine flavor that's because Mad Magazine's Harvey Kurtzman and Jack Davis had a hand in the film.
It's the little things that make MAD MONSTER PARTY fun to revisit, such as Dr. Frankenstein's menagerie of truly bizarre tiny creatures dancing through the catchy "Stay One Step Ahead" sung (well, spoken at least) by Boris Karloff. There's also the running gag of Peter Lorre-lookalike Yecch literally losing his head throughout the film, and the occasional good pun ("I'm your Don Juan"/"I don juan to see you!"). The Doctor's all-too-human nephew Felix Flankin, voiced by the versatile Allen Swift, is an endearing comic hero, looking like Ernie from My Three Sons, acting like Jerry Lewis, and sounding like Jimmy Stewart.
The inclusion of Phyllis Diller as the Monster's
Mate doing her usual
stand-up shtick dates
this film terribly, and her forced laughter ("A Hah - HAH") is a
constant irritant, but this lapse in casting judgment
is made up for by that greatest stop stop-motion puppet ever,
Francesca,
voiced by Gale Garnett. Kids everywhere (and I include myself) who
discovered this film on television developed instant crushes
on
Francesca, Dr.
Frankenstein's lovely, red-haired and way-too-busty assistant.
Mention Francesca to a baby boomer now and you'll probably
get a
deep sigh, a soft smile, and possibly a quiet and respectful
"Yeah, she was hot... for a puppet." Francesca is to
stop-motion animation what Jessica Rabbit is to hand drawn
animation - she's not really bad
- she's just carved that way.
Garnett also sings
two
pretty
nifty songs as Francesca. "Our Time to Shine" is a Dixieland
number similar in style and instant likabilty to many songs found in
the Rankin and Bass specials. But "Never Was a Love" may is
an overlooked classics of the 1960s. Both melody and
lyrics may have had Burt Bacharach wondering if he had been writing
songs in his sleep, and Dionne Warwick could have had yet
another
hit with this one. Come to think of it, Gale Garnett herself,
whose only hit record was "We'll Sing in the Sunshine", could have
charted this song with a little promotion. Oh,
well.
- JB
REMAKES
Since Hollywood now has an insatiable appetite for eating the past and regurgitating it in the present, a CGI remake is said to be in the works. Of course it is. I'd personally love to see this redone by Tim Burton, using the same songs. Maybe we can get second that hit for Gale Garnett yet!